The editor of a literary journal, Berlioz, does not believe Bezdomny when he says he saw the Devil in the park.
A discussion between Berlioz and Bezdomny, two members of the Moscow Literary Society, is shown in the chapter’s opening scene. ‘The Master and Margarita’s’ first chapter introduces the scene and a few of the important characters. Summary of Part 1 of The Master and Margarita The book is a critique of the oppressive aspects of Soviet society as well as a commentary on the nature of love, creativity, and freedom. Margarita develops into a strong, independent woman as the plot goes on, and she finally makes a sacrifice to save the Master. On the other side, Margarita struggles with choosing between her devotion to Woland and her love for the Master. The Master experiences writer’s block and depression as a result of the literary establishment’s skepticism and rejection of his novel about Pontius Pilate. The connection between the Master, a struggling author, and Margarita, his loving muse, is another significant focus of the book. Bulgakov criticizes both the importance of religion in influencing people’s lives and the brutality and injustice of political authority via the lens of this tale. The Roman governor of Judea, Pontius Pilate, and his confrontation with Yeshua Ha-Nozri is one of the novel’s main plotlines (Jesus Christ). Woland stirs up mayhem in the metropolis, revealing the moral decay and dishonesty of Soviet society. The tale, which blends fantasy, comedy, and social commentary, centers on the exploits of the Devil, who enters Moscow in the guise of Professor Woland, and his band of cunning goons. Mikhail Bulgakov’s book ‘ The Master and Margarita‘ is set in Moscow in the 1930s.
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